An empowering celebration of identity, acceptance and Hawaiian culture based on the true story of a young girl in Hawaiʻi who dreams of leading the boys-only hula troupe at her school.

Ho’onani feels in-between. She doesn’t see herself as wahine (girl) OR kane (boy). She’s happy to be in the middle. But not everyone sees it that way.

When Ho’onani finds out that there will be a school performance of a traditional kane hula chant, she wants to be part of it. But can a girl really lead the all-male troupe? Ho’onani has to try . . .

Based on a true story, Ho’onani: Hula Warrior is a celebration of Hawaiian culture and an empowering story of a girl who learns to lead and learns to accept who she really is–and in doing so, gains the respect of all those around her.

In this debut collection, No‘u Revilla crafts a lyric landscape brimming with shed skin, water, mo‘o, ma‘i. She grips language like a fistful of wet guts and inks the page red—for desire, for love, for generations of blood spilled by colonizers. She hides knives in her hair “the way my grandmother—not god— / the way my grandmother intended,” and we heed; before her, “we stunned insects dangle.” Wedding the history of the Kingdom of Hawaiʻi with contemporary experiences of queer love and queer grief, Revilla writes toward sovereignty: linguistic, erotic, civic. Through the medium of formal dynamism and the material of ʻŌiwi culture and mythos, this living decolonial text both condemns and creates.

Ask the Brindled is a song from the shattered throat that refuses to be silenced. It is a testament to queer Indigenous women who carry baskets of names and stories, “still sacred.” It is a vow to those yet to come: “the ea of enough is our daughters / our daughters need to believe they are enough.”

Appearing before the head of the Academy for fighting at her graduation ceremony, puffer ship navigator Tia Grom-Eddy must either join the crew of a spaceship on a deep space mission or complete a lengthy probationary period on Earth.

Mortally afraid of travelling into deep space, Tia chooses probation. Estranged from her parents, Tia is bereft when her sister, Leilani, joins the crew of a puffer fish spaceship sent to investigate a whirlpool in deep space. And when the cosmic whirlpool sucks Leilani’s shuttle into its grip, Tia must overcome her fear of space travel and find a way to work with her mother, who is leading the rescue, or risk losing her sister forever.

An Indigenous legend about how four extraordinary individuals of dual male and female spirit, or Mahu, brought healing arts from Tahiti to Hawaii, based on the Academy Award–contending short film.

In the 15th century, four Mahu sail from Tahiti to Hawaii and share their gifts of science and healing with the people of Waikiki. The islanders return this gift with a monument of four boulders in their honor, which the Mahu imbue with healing powers before disappearing.

As time passes, foreigners inhabit the island and the once-sacred stones are forgotten until the 1960s. Though the true story of these stones was not fully recovered, the power of the Mahu still calls out to those who pass by them at Waikiki Beach today.

With illuminating words and stunning illustrations by Hinaleimoana Wong-Kalu, Dean Hamer, Joe Wilson, and Daniel Sousa, KAPAEMAHU is a monument to an Indigenous Hawaiian legend and a classic in the making.

Tail of the Taniwha is a collection of short stories by writer, poet and playwright Courtney Sina Meredith that builds on the themes and ideas of her signature publications, Brown Girls in Bright Red Lipstick and the award-winning play, Rushing Dolls.

Tail of the Taniwha pushes at the boundaries of written storytelling through its use of typography as a narrative device. The end result is an idiosyncratic collection of stories that come alive in the way the reader interacts with the page. Tail of the Taniwha advances, with an underlying Pacific politique, an ongoing discussion of the contemporary urban experience and what it means to be culturally sensitive in contrast of the general understandings of mainstream society.

Acclaimed literary essayist T Kira Madden’s raw and redemptive debut memoir is about coming of age and reckoning with desire as a queer, biracial teenager amidst the fierce contradictions of Boca Raton, Florida, a place where she found cult-like privilege, shocking racial disparities, rampant white-collar crime, and powerfully destructive standards of beauty hiding in plain sight.

As a child, Madden lived a life of extravagance, from her exclusive private school to her equestrian trophies and designer shoe-brand name. But under the surface was a wild instability. The only child of parents continually battling drug and alcohol addictions, Madden confronted her environment alone. Facing a culture of assault and objectification, she found lifelines in the desperately loving friendships of fatherless girls.

With unflinching honesty and lyrical prose, spanning from 1960s Hawai’i to the present-day struggle of a young woman mourning the loss of a father while unearthing truths that reframe her reality, Long Live the Tribe of Fatherless Girls is equal parts eulogy and love letter. It’s a story about trauma and forgiveness, about families of blood and affinity, both lost and found, unmade and rebuilt, crooked and beautiful.